Art and Artists


Artists occasionally find themselves in a blank period when no art can happen for various reasons. Sometimes we get stuck and just can’t do any work. When that happens, it is very hard to get going again. It is so easy to not go to the studio if each visit there results in nothing happening. Sometimes circumstances simply make everything come to a halt. That is what happened to me this winter when I slipped and fell on black ice—that is, an invisible patch of ice in an otherwise clear street that is most dangerous as far as falling is concerned.

I have not had a chance to write anything for a long time. The past four months have been a blur, but I am now back to work drawing and painting. Flowers are still the subject but I am getting ready to expand and get these images on canvas but I also have some new images to upload to my products store on Zazzle at Award Winning Fine Art

My winter was spent recovering from two falls that landed me (literally) in the Rehabilitation Institute of Chicago for four weeks. After that the time was spent at home trying to get more rehabilitated.

I have started to draw again and it feels good.

Occasionally I am asked how I manage to be disciplined enough to work at home. Many people who have their own businesses work at home and are very successful at it. Their experience is probably similar to mine. It requires having a different set of work habits. I learned how to do it from my husband.

I had a perfect model of how to work at home when my husband set up his own public relations business in 1982. This was a time when it wasn’t fashionable to be telecommuting, but in our case, it was the consequence of necessity. Because of various circumstances in the business world, my husband found himself unemployed after more than thirty years as a public relations consultant with a large firm. Rather than becoming involved in a battle about age discrimination, we opened Phil Richman Associates in the downstairs study of our house.

Neither of us knew how to use a computer. Nevertheless, we bought an early portable computer manufactured by the Osbourn Company and my husband proceeded to learn how to use it. The computer made it possible for him to start the business without an office or a secretary. All he needed was a phone line, a fax machine, the computer, and a very disciplined work ethic.

He began with one client who believed in his talent and ability to do a good job of getting publicity for products and people. He decided that the business would not move out of our house because he enjoyed working at home. Our study was designated “the office” and it was no longer used for any other function besides the business. Not having to get dressed up in a suit and tie every day was a real benefit to this new arrangement. Occasionally there might be a need for an office downtown in order to meet potential new clients. One of his friends who had office space allowed him to use it for meetings in return for public relations counsel. It worked to both of their advantage.

Although he didn’t leave the house for his job, my husband made a clear separation between his working hours and his home hours. He established a firm rule of getting dressed every day, eating breakfast, and then going into his office to work. He would take a lunch break, and then spend the rest of the afternoon continuing his work until I came home from my studio. There was an advantage to being at home in that he could take off work early whenever he wished. And, he didn’t have to work nights and weekends unless something pressing was going on. The most important thing he did was to take his business seriously and use his time productively in order to do the best possible job for his clients. He was able to continue this business until he died sixteen years later.

My studio was not in our house. It was important for me to separate my art working space from our living space because the work I was doing required solvents that are not advisable for home use. I needed space to work and display my paintings.

After my husband died I moved into several rooms in my house and these became my studio. It was a huge change for me. The space is a lot smaller and it is broken up. The most important change was learning to create the separation between being at home, and going to work. My husband did it so easily, but I find it hard to follow his good example.

I am often tempted to paint in my bathrobe. There are times when I think of some thing I need to do to a painting just before going to bed and then I may be up working until quite late at night. If I impulsively begin to paint while wearing good clothes, they become spotted with paint. Once in a while I may have plans to watch a TV program at a certain time and I miss it because I’ve stopped to work a bit before the program begins. Or, I am about to go to a concert and I stop for a minute to take a look at what I have done, and I forget and start working. Then I have to race out of the house in order to get there on time.

It is hard for me to eat breakfast and go to work the way he did. Phone calls from friends are more interesting than trying to work on a painting, especially when I am at a beginning stage or one that is giving me problems. There are household chores that need to be done so I do that in stead of going to work. Being in my house is also very lonely. Previously, in my studio I had access to other artists who also had studios in the building. Now I have to make an effort to meet friends for lunch or coffee. I’m not as involved in the art community as I had been.

In order to get myself into the frame of mind that makes me use my studio productively, I have to remind myself that this is my studio and my work comes before doing the laundry. I invented some routines that help make the separation between home and studio possible. For one thing, every morning I make a bag lunch for myself, as I had done when I had a studio away from home. I don’t take any coffee breaks because once I begin working I want to continue without interruptions.

I moved my computer into one of my studio rooms so I could quickly scan images into it and use that information for the paintings I am working on. I also need the computer because I have several web sites that I manage. The most difficult problem I run into is allocating time for the two different kinds of work. And I try to have regular working hours and leave the household stuff for the weekend. I realize now that the benefits of working at home far outweigh those of having a separate studio. It has taken me quite a while to adjust, but now that I am used to this arrangement, I wouldn’t trade it for the world.

My Latest Flower PaintingMy Latest Flower PaintingI have been working on my latest flower painting. I had a few moments of
abstraction lately, but I have come back to my original idea of continuing
the idea of flowers and orchids until I get to the 100th painting. It’s a
strange goal, but there it is.

Whenever I set out to create a new drawing I need to organize my working
space. It is important to make sure I have all of the materials needed. If
there is some color missing, it will require a trip to the art supply
store. When I get to the art store I am in deep trouble because for me, it
is like a high end candy store. There are so many goodies to look at and
choose that I get diverted from my original quest and come back to my
studio with a lot more stuff than I intended to buy. This is probably one
of the reasons it is hard to earn anything in the art business. I spend
more on supplies than I earn in sales.

There are so many different kinds of watercolor paper to look at. Hot
pressed and cold pressed and anything in between. Watercolor blocks are
great. The paper is sized and stretched and glued into a block all ready to
use. Of course, this is the best choice for me because I often take paint,
brushes, and a watercolor block with me when I travel. I used to carry a
box of colored pencils in a tin, but this always causes my suitcase to be
opened by “security” so I usually just take a bunch of pencils
and a pencil sharpener in a plastic bag.

After my studio space is organized and everything is laid out where I
can see the colors, I usually draw in ink. I like to use ink
because of the nice black line. I try to use strong lines and somehow if I use ink it the drawing begins to develop. After the ink drawing is composed, I decide on the color scheme by coloring in the shapes. When I have an idea of the colors I want to use, I start to paint. This is where the art work takes its form and comes to life.

I know when the painting is finished when I can’t add or subtract
anything. It has to look “right” to me. It does happen that I may
set something aside and go back to it later at which time it may need
revision. This often happens to my drawings after some time passes or if I have been to see an art exhibit at the Art Institute of Chicago and have been inspired by what I see. This was First published on Qassia but has been revised here. All Rights Reserved.

I previously mentioned the many art sites on line that will publish artist’s images. I didn’t include the art sites that are galleries and exhibit the art. I now have joined so many of these I find I don’t have enough time to create art. This is a problem I’ll have to start reviewing. Sitting at the computer and uploading images is a lot easier than trying to be creative and work on drawings and paintings. Writing in journals and blogs is very tempting, too. I guess I will have to go back to my original work ethic and schedule less time for computer stuff and more time for virtual art work.

My years of experience as a printmaker set me up for a certain point of view that is very different from that which I now find myself interested in. The availability of websites that will print and sell original images on line is very tempting so it isn’t very hard for me to come around to the opinion that it is fine to reproduce original art and sell the prints just as long as the buying public knows the difference between original art and a reproduction. These web sites do all of the work. The only thing the artist needs to do is set up their own gallery on the site and upload high quality images. Fine Art America is one such site that specializes in printing art for posters and framed giclee prints on fine paper and canvas. Zazzle also reproduces art for posters and prints as well as for many other products I’ve mentioned previously. A new site I have just joined is Red Bubble. I haven’t set up my images on this site yet, but it looks very promising.

I do have a problem with artists who sign and number these reproductions and create the illusion that the individual who purchases these object is getting something special. It is special in that it is an image they like and want to decorate their home with it, but it isn’t special in terms of increased value because there is a signature on in. And the number don’t mean a thing. Unfortunately, there are some well known artists who have this kind of art on the market. This is where the deception can occur.

For many years I had not been interested in using my art images as designs for products. But, ever since I have been publishing these images in Zazzle I have had a change of heart. It is very satisfying to see the flower images as cards and calendars and I believe the calendar on display here is a good representation of this fact. I also enjoy receiving complements and encouragement from viewers who see the products.
Orchids and Other Flowers calendar

Orchids and Other Flowers
by
Julier
This custom calendar is available at Zazzle

During the process of creating a drawing I don’t think of myself as a producer of a comercial product. I am so interested in expressing visual images in paint that I forget that the end product will become an object for sale. And, of course, I am happy to sell these objects. I’m pretty sure most artists are not consciously thinking of creating items for sale as they make the objects, yet, of course, that is exactly what we are all doing.

I notice that quite a few artists are taking matters intotheir own hands and taking charge of selling work on the internet, either on their own web sites or on ebay or on a site such as zazzle.com where you can even make a postage stamp out of an art image. I love to use these stamps on any letters or cards I send.

Orchid 40 Stamp
Orchid 40 Stamp
by
Julier
Get this custom postage at Zazzle

So, what differentiates between so called low art and high art objects? Is it the value the market places on the work as it enters the arena of commerce? Is it the value the artist places on the work? Is it the acceptance of an art viewing public? Is it representation in an art gallery?

It is usually expected that an artist will have a consistent body of work. Visual artists create their objects using images that they internalized during their lives and these come out in the expression of their work. We all are influenced by what we see. We often emulate the work of other artists, yet turn it into something personal that is a unique expression of our own vision. In my case I was very influenced by the work of artists such as Kandinsky and Paul Klee. My paintings are usually abstract. I am not interested in figure drawing or landscape painting but still life paintings of fruit and flowers intrigue me.

When I was a child my drawings were flowers. I decorated the borders of all of my school papers with flowers. I drew flowers on the wall next to my bed. I wasn’t aware of these drawings as being “art.” They were an expression of my world. I had never been to an art museum and the only art I saw was in the movies and in the drawings found in children’s books.
There were printed fabrics in my home and I frequently went to fabric stores with my mother, who was a dressmaker. She used these yard goods to make clothing for herself, her customers, and for me. Many of these bolts of cloth were printed with all-over floral patterns but some of them were stylized abstractions.

Last year I returned to drawing flowers. These are not exactly still life because they are flowers  in my imagination located in no particular place.  I had the urge to make small drawings.

I had gone from a very large studio to one in my house that was quite small. The scale of my work needed to be reduced and somehow the subject of small abstract imagined flowers evolved from my pen. I have been working on this project for over a year and it continues to stimulate my imagination.
An idea that I’ve had for a long time is that it would be fun to have inexpensive reproductions of my work. I love the thought that my work could be available in a post card or greeting card or digital print. It would be exactly the same as products sold in an art museum where one can buy a post card of a Picasso painting. Why not? This digital era and the Internet makes this concept possible.

The following is one of my Zazzle products.

Orchid30 card
Orchid30
by
Julier
Get this custom card

from Zazzle. There are also lots more of my images printed on different products such as mugs and shirts and bags. This is my most recent watercolor drawing that I uploaded to Zazzle and made into a limited edition card. It is part of a series of small watercolor drawings I call “Orchids.” Putting my work on this web site enables me to realize my personal dream of making art very accessible and inexpensive. However, I seem to be my best customer because I buy them to give to my friends and family. The original art is larger, of course, but the reproductions are quite good and are fun to use. (more…)

Many of my paintings are inspired by the music I listen to and enjoy—often while I am working. ShostakovichShostakovich Knew is the title of this painting. It is part of a series of paintings with the theme of music. Today, while listening to Chicago classical music radio I heard music being played that was inspired by art.

Today the weather was typical Chicago Spring. Damp, cold and dreary. The kind of weather that affects  my mood. This would ordinarily  be a non inspirational day. Yet, it turned out to be a great day because I visitied the current exhibit at the Art Institute of Chicago “From Cezanne to Picasso,” a very comprehensive exhibit of work collected and shown by the art dealer, Ambroise Vollard. Room after room of wonderful paintings from famous collections all over the United States were filled with paintings, drawings and some ceramics. Many of these were assembled together to represent how Vollard might have shown them when they were originally offered for sale. The exhibit was interesting, also, because it illustrated the interconnected relationship of art dealer to artist. Especially with regard to the fact that artists feel they aren’t getting what their work is worth, and dealers feel that because they are taking a chance on an artist, they deserve to earn a good profit from sale of art.

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